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Cardinal Lands

Cardinal Lands

Brand strategy, identity, and world-building for Cardinal Lands, a hospitality group building hospitality across the American West. We designed the parent brand, then brought its first two destinations to life: Aspects Big Sky in Montana and Teton Outing Club in Idaho. Three brands, one connected universe.

Two years ago, Little Plains was approached to help shape a new kind of hospitality group; one that would purchase meaningful land in the American West and turn it into places where people could slow down, reconnect, and feel part of the landscape again.

The founders weren't looking for branding in the traditional sense. They were looking for a creative partner to help imagine entire worlds: the parent company, the destinations, language, tone, rituals, and the design systems that would guide every future property.

Our North Star was the power, adventure, and grounding nature of the wide open American West.

Like any thoughtful project, our job was to create the foundation. For this it meant designing a timeless holding brand, a thematic language, a narrative that could stretch across mountains, seasons, and new developments.

We would then bring the first two destinations to life, each with its own personality, aesthetic, and story; united quietly under a shared vision.

What follows is the story of how these worlds came to be: The parent identity, Cardinal Lands, and its first two expressions, Aspects Big Sky and Teton Outing Club. Three different projects. One shared universe.

Aspects captures the feeling of being immersed in America's outdoors; to be able to breathe, reflect, and reconnect with what matters.

Before designing cabins, trails, maps, signage, or digital experiences, we had to define the North Star.

Cardinal Lands is the holding company behind the destinations; a brand that needed to feel rooted, directional, and quietly confident.

The Cardinal Lands name, wordmark, and brand were carefully crafted while working at the actual spaces.

The name came from the idea of orientation. “Cardinal” evokes true north, guidance, and American signals. “Lands” brings the brand back to earth, anchoring it in terrain, stewardship, and long-term ownership. Together, they form a name that feels modern and geographic, but also warm and human.

In design, you want the end result to feel natural, even when a lot of work and consideration goes into it.

The symbol was born from a pattern found on a vintage quilt. We reinterpreted it into a mark that feels both crafted and structural. The palette, deep reds, greens, and natural neutrals - helps the brand sit comfortably between Western heritage and contemporary design.

While on one of the properties we honed in on quilts, and the universal patterns that have been used over generations.

The identity became the backbone of the larger system, used across investor decks, acquisition materials, early property concepts, and the first version of the website. It established a tone that was grounded, intentional, and built to expand as the company grew.

The brand colors represent the plains, mountains, fields, and sky we saw firsthand.
The seasons are distinct, and we needed natural colors to work across each.

Aspects Big Sky is the first Cardinal Lands destination: an end-to-end hospitality experience in Big Sky, Montana.

The founders acquired six acres with ten unfinished townhomes and handed us a rare opportunity; to define a completely new kind of mountain stay, from philosophy to logo to linens.

The aspects logo is hand-drawn, featuring the mountains of Big Sky, and the Gallatin River that runs through the landscape.

During COVID, Americans discovered a new rhythm: working remotely from cabins and Airbnbs, rediscovering nature, cooking, hiking, being human again.

When cities called them back, demand for nature-based escapes didn’t disappear. But west of the Mississippi, supply couldn’t keep up.

Some shots from our photoshoot on the Big Sky property where we lived, worked, and documented our stay.

Set between Bozeman and Yellowstone, Big Sky is a young ski town shaped by striking contrasts: private luxury at the Yellowstone Club on one side and simple hotels in town on the other. The untouched middle ground was wide open, and it became the perfect place for Aspects to take root.

'If you got it, flaunt it.' We had the beauty of Mother Nature all around us.

We approached Aspects the way we approach world-building; start with the feeling, then let design grow from there. The positioning was clear: a modern mountain stay for people who want to unplug from screens and reconnect with the American outdoors.

Some of our original sketches and moodboard for Aspects.

“Reconnect with what matters” became the brand’s guiding line. It shows up on signage, on websites, in materials left in each home, and in how guests describe their stay. It turned the property into an antidote to modern life.

We came up with the motto, 'Reconnect with what matters.' While on the property, this came naturally.

The visual system comes directly from the landscape. The palette spans evergreen, dark evergreen, storm, clay, lake, sand, wheat, and prairie snow.

I love the names for our colors. The fit the mood, seasons, and energy that you feel when there, year round.

The style is hand-drawn, tactile, and slightly imperfect; nothing corporate, nothing glossy. We tested the brand on hats, totes, signage, and small merchandise before building the rest.

If it didn’t feel right in someone’s hands, it didn’t belong in the world.

The branding works there, in Montana. Which was all that mattered. Seeing folks in town wearing the gear was the biggest approval.

We treated Aspects like a small village. There’s Eileen’s Canteen, a warm communal building. A sauna and tubs. Fire pits. Decks. Access to horses and nearby farms. Everything becomes part of the narrative.

Eileen's canteen is a new addition to the property. Any of the guests can spend time here, reflecting, reading, and reconnecting.
For photography, our job was to just walk around, observe, and capture the moments that surrounded.

We created a hand-drawn property map showing routes to Yellowstone and Big Sky, as well as the internal layout of the homes. Each illustration is done in the same touch-by-hand style as the logo.

Every room includes custom materials; notes, notepads, Wi-Fi info, garage storage guidance, and wildlife safety cards. All calibrated to feel calm, local, and human.

We wanted to show the property 'as the crow flies' from above, to give a view of the totality of the experience.
The founders pushed to consider every detail from the eyes of a guest from viewing online, to being in a home.

The entrance signs were built by a custom fabricator in Minnesota. Guests photograph them, sign the backs, and treat them as trail markers.

We hand-drew the property's signage designs which were produced in Minnesota and transported down to Montana.

To bring Aspects to life, we built a content engine rooted in real experience, not staged setups or empty interiors.

Social manager Crystal Castillo led a creator outreach program that made it easy for families, photographers, filmmakers, and storytellers to visit, stay, and capture the property in their own voice.

One of the rooms, and myself (Emmett) walking the property with one of the founders (Albert).

We also knew that if we were going to define the feeling of this place, we had to feel it ourselves. Our team went to Big Sky for a full week and lived on the property together. Photographer Greg _ joined us as we cooked in the kitchens, played board games late into the night, hiked the nearby trails, explored the town, sat around the fire, and watched the light move across the valley each day.

Our team taking in a post-shoot early dinner in one of the Aspects houses.

The cameras were always out, but nothing was staged. We wanted to show what it’s actually like to stay at Aspects: the quiet mornings, the warm meals, the messy backpacks, the views from the deck, the soft moments between activities, and the sense of slowing down that happens naturally in a place like Big Sky.

From mornings to evenings, Aspects is a place to reflect.

The result was a deep library of imagery filled with warmth, motion, and lived-in texture. Not promotional. Not overly arranged. Just honest scenes of people reconnecting with what matters, which is the heart of the entire brand.

The final brand marketing materials are some of my favorite to date.

experienceaspects.com extends the brand world online. The site includes property overviews, amenities, home types, experiences, excursions, stories, and direct booking. The interface is built with picture cards, postcards, scenic vistas, and hand illustrations. It feels more like a travel journal than a hotel site. It mirrors what it’s like to actually stay there.

We wanted the site to feel down-to-earth, not corporate, and considered. We combined our original language, illustrations, and photography with subtle motion to create a homespun yet professional site experience.

Aspects became the blueprint for how we build hospitality worlds, from dirt and drywall, to identity and UX.

Cardinal Lands' next property focused on Driggs, Idaho, right next to the Teton Mountains.

Across the Tetons, in Driggs, Idaho, sits the second destination: a place with the same sweeping views as Jackson Hole, but with more room to breathe, more room to play, and a spark of youthful energy running through it.

While similar to Big Sky, the Tetons area has it's own flavor, and needed its own original brand.

If Aspects invites you to slow down, Teton Outing Club moves in the opposite rhythm; built around motion, early mornings, and saying yes to whatever the mountains offer. “Always Go” became the motto.

Surrounded by adventure, the Teton Outing Club's manifesto is to 'Always Go.'

The tone leans into Americana, camp lore, field notes, and road-trip ephemera. It needed to feel like a club that has existed for decades, even though it’s brand new.

Swipes of the original moodboard and inspiration show the optimism and adventure of the mid-20th century American outdoors.

The TOC Pallette info would go here. feels like something found on a trail sign or scout manual. The system includes carefully defined embossing, debossing, patches.

Similar to Aspects, we selected colors native to the area, each named for a unique element of the Tetons.

The TOC emblem feels like something found on a trail sign or scout manual. The system includes carefully defined embossing, debossing, patches, and stamp treatments.

Loving old baseball and club logos, working on this mark was extremely fulfilling.ion coellection of vintage American clubs and organizations marks. We wanted TOC's mark to feel right at home with those references.

We chose the mountain bluebird as the mascot, Idaho’s state bird, because it carries a feeling of optimism and movement. We brought it to life as a character, a stamp, and a small recurring mark that appears throughout the brand.

Idaho's mountain bluebird in a state of 'Always Gdaho's mountain bluebird in a state of 'Always Go.'o.'

The typography is intentionally layered, using Goudy, Arizona Sans, JMH Typewriter, and Adobe Handwriting to mirror the mix of voices you’d find in old field journals. We used this diversity of type to evoke logbooks, letters, margin notes, and the kind of outdoor paperwork that gets collected and added to over seasons.

We wanted to channel the aesthetic and feel of typed letters travelers would send back home as the root of our type system.

We pushed heavily into what we call “bookmorphism” using parchment textures, cards, Polaroids, thumbtacks, dotted lines, shadows, and archival illustration styles including pencil, gouache, woodcut, and lithograph.

The result feels like a living archive of outings, seasons, weather, and stories.

Postcards, illustrations, and lithographs from the 1800s and 1900s West were incorporated into our brand look and feel.

The digital experience is login-gated, reinforcing the feeling of a club rather than a hotel. Once inside, the world opens into postcards, notes, maps, artifacts, and a tactile navigation system.

Teton Outing Club is designed for homeowners, and a thoughtful web-based marketing funnel was created to draw in interested potential buyers.

Teton Outing Club shows the elasticity of the Cardinal Lands universe. It shares DNA but becomes an entirely new world.

Because both founders are avid photographers, we were able to combine their original photographs from the area with our designs.

Across Cardinal Lands, Aspects, and Teton, Little Plains delivered naming, architecture, full identities, visual systems, illustration systems, photography direction, content strategy, social playbooks, UX, IA, web design, and digital development. Every detail connects back to one coherent ecosystem.

When working with one group across unique brands, the dance is to create a common throughline while allowing for unique nuance unto each.

This isn’t three logos and three websites. It’s a connected hospitality platform.

Cardinal Lands is the backbone. Aspects proves the vision in Big Sky. Teton Outing Club extends the universe with a completely different mood, tone, and aesthetic; while still feeling like it belongs in the same family.

If you can, go explore the great American outdoors!

Guests feel the coherence when they arrive. Investors see it in the decks. Creatives recognize the craft. And the Cardinal Lands team now has a long-term foundation to build destination after destination without losing the thread.

Cardinal Lands

Patty Reyes
Product Manager
Rani Vestal
Brand Design
Chris Bollinger
Web Design & Development
Nicole Fernandez
Copywriter
Emmett Shine
Creative Director
Alex Leiphart
Digital Creative Director

Teton Outing Club

Ann-Marie Sebastian
Product Manager
Rani Vestal
Brand Design
Nicole Fernandez
Copywriter
Derek Saffe
Web Development
Arthur Shim
Product/UX
Austin Mullin
Motion Design
Elliot Robinson
Motion Design
Emmett Shine
Creative Director
Alex Leiphart
Digital Creative Director
Michelle Riis
Account Management
Laura Romero
Operations

Aspects

Patty Reyes
Product Manager
Emmett Shine
Creative Director
Camille Baldwin
Brand Strategy
Lee Tilghman
Copywriter
Camille Muson
Copywriting
Abby Muir
Branding & Art Direction
Crystal Castillo
Social Media
Marcel Leif
Videography
Gregory Wikstrom
Photography
Andrea Shine
Illustration
Eileen Vidal
Illustration
Issac Martin
Development
Rani Vestal
Graphic Design
Emmett Shine
Creative Director
Alex Leiphart
Digital Creative Director
Laura Romero
Operations
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